30 October 2012
Properties of a Good Sizing Material | Sizing Chemicals & Their Importance
Sizing
is a complementary operation which is carried out on warps formed by
spun yarns with insufficient tenacity or by continuous filament yarns
with zero twist. In general, when sizing is necessary, the yarn is beam
warped, therefore all beams corresponding to the beams are fed, as soon
as warping
is completed, to the sizing machine where they are assembled. Sizing
consists of impregnating the yarn with particular substances which form
on the yarn surface a film with the aim of improving yarn smoothness and
tenacity during the subsequent weaving stage. Thanks to its improved
tenacity and elasticity, the yarn can stand without problems the
tensions and the rubbing caused by weaving.
Sizing Chemicals & Their Importance:
Film forming materials:
Starch is the oldest film forming material used in sizing of cellulosic fibers. It is also the most widely used in the world due to its low cost and ease of availability. In Pakistan, mostly maize starch is used, whereas, potato starch is more popular in Europe.
PVA is the second largest film former used in sizing. It is mostly used on synthetic yarns such as polyester and poly/cotton blends. PVA coating is strong, abrasion resistant and can easily be desized in hot water. Its strength is greater than starch and also more flexible than most standard starches. PVA is less prone to setup in the size box compared to starches. PVA can form foam in the size box which is controlled with a deformer. PVA may be too strong for some sizing applications. In this case, some weaker film forming polymers such as starch are added to modify the mixture, which also reduces the cost, since PVA is more expensive than starch.
The most widely used size materials are starch and PVA. However, other size materials have been developed and used for specific purposes. Carboxymethyl cellulose (CMC) is produced from wood pulp and cotton lint and has good adhesion to cotton.
Polyacrylic acid based sizes (polyacrylates and polyacrylamides) are used to size hydrophobic fibers and their blends such as nylon, acrylics, polyester, etc because of their good bonding.
Properties of a Good Sizing Material:
- Environmentally safe.
- Good film former.
- Reasonable use economics.
- Penetration of yarn bundle.
- Elasticity.
- Good film flexibility.
- Good specific adhesion.
- Good frictional properties.
- Transparency.
- Bacterial resistance.
- Reasonable strength.
- Controllable viscosity.
- Water soluble or water dispersible.
- Good hygroscopicity characteristics.
- Uniformity.
- Clean split at bust rods.
- Improves weaving efficiencies.
- No effect on drying.
- Reasonable extensibility.
- Recoverable and reusable
- Low static propensity.
- No skimming tendency.
- Easily removed.
- Easily prepared.
- Lack of odor.
- No beam blocking.
- Compatible with other ingredients.
- Good abrasion resistance.
- Neutral pH.
- High fold endurance.
- Insensitive to high heat.
- Low BOD.
- No build up on dry cans.
- Reduced shedding.
- Rapid drying.
- No re-deposition of size
- Insensitive to changes in relative humidity.
28 October 2012
Flow Chart of Hemp Spinning
Hemp Preparation and Spinning:
The preparation process of long staple fibers allows to transform the sliver produced by the hackling machine into a 2 - 4 g/m roving through a series of drawing passages and a high number of doublings, which ensure the high blending rate necessary for heterogeneous fibers like hemp. The flow chart is similar to that used for flax processing and the machines employed are practically the same. At the delivery from last drawing passage, the sliver can be subjected to one of two alternative processes:
We point out that the card sliver has not the cleanness degree which is necessary to produce a regular yarn, therefore it requires a hackling operation on machines very similar to wool combers.
Tows can be dry or wet spun. For dry spinning, two kinds of spinning frames are used:
In
the case of hemp the processing of long staple yarns differs from the
processing of tow. Hemp reaches the mill in form of 400 to 1000 g
sheafs, which feed the hackling machine. The short fibers are collected
in boxes and delivered to the packing department as hackling tows.
The preparation process of long staple fibers allows to transform the sliver produced by the hackling machine into a 2 - 4 g/m roving through a series of drawing passages and a high number of doublings, which ensure the high blending rate necessary for heterogeneous fibers like hemp. The flow chart is similar to that used for flax processing and the machines employed are practically the same. At the delivery from last drawing passage, the sliver can be subjected to one of two alternative processes:
- Wet spinning, the typical process used for bast fibres, with bobbin drying and winding. As for flax, the roving can be degummed and bleached before spinning.
- Dry spinning directly from sliver through the same spinning frames used for flax tow spinning.
We point out that the card sliver has not the cleanness degree which is necessary to produce a regular yarn, therefore it requires a hackling operation on machines very similar to wool combers.
Tows can be dry or wet spun. For dry spinning, two kinds of spinning frames are used:
- With drafting cylinder systems which operate according to the typical criteria of the semi-worsted system, with settings suited to the high length of these fibres
- With gill-bars, i.e. with needle bars placed in the drafting fields assigned to the guide of the fibres, which are similar to those used for long fiber dry spinning.
Flow Chart of Hemp Spinning
As already for flax, the prospects for a widening of hemp use are conditioned by the finishing operations. In fact the fibre can undergo some important changes, if the order and the crystalline lay-out of the fibrous cells are adequately varied ; moreover, if full advantage is taken of the inner channels (lumens) for fluid diffusion by preparing them for a more efficient migration of fluids capable of modifying the fiber’s physical properties, completely new handle and appearance effects, even adjustable by the finisher, can be obtained.
http://textilelearner.blogspot.com/
http://textilelearner.blogspot.com/
26 October 2012
Characteristics, Manufacturing, End Uses of Rayon
Rayon
is the oldest commercial manmade fiber. It is a manufactured fiber
composed of regenerated cellulose, as well as manufactured fibers
composed of regenerated cellulose in which substituents have replaced
not more than 15% of the hydrogens of the hydroxyl groups. Rayon fibers
include yarns and fibers made by the viscose process, the cuprammonium
process, and the now obsolete nitrocellulose and saponified acetate
processes. Generally, in the manufacture of rayon, cellulose derived
from wood pulp, cotton linters, or other vegetable matter is dissolved
into a viscose spinning solution. The solution is extruded into an
acid-salt coagulating bath and drawn into continuous filaments. Groups
of these filaments may be made in the form of yarns or cut into staple.
Characteristics of Rayon Fiber :
Characteristics of Rayon Fiber :
- Highly absorbent
- Soft and comfortable
- Easy to dye
- Drapes well
Types of Rayons
Rayon fibers are engineered to possess a range of properties to meet the demands for a wide variety of end uses. Types of rayon fiber are given below:
- High wet modulus rayon
- Polynosic rayon
- Specialty rayons
- Super absorbent rayons
- Tencel rayon
- Lyocell
While there are many variations in the manufacturing process that exploit the versatility of the fiber, the following is a description of the procedure that is used in making regular or viscose rayon.
Regardless of whether wood pulp or cotton linters are used, the basic raw material for making rayon must be processed in order to extract and purify the cellulose. The resulting sheets of white, purified cellulose are then treated to form regenerated cellulose filaments. In turn, these filaments are spun into yarns and eventually made into the desired fabric.
The process of manufacturing viscose rayon consists of the following steps mentioned, in the order that they are carried out: (1) Steeping, (2) Pressing, (3) Shredding, (4) Aging, (5) Xanthation, (6) Dissolving, (7)Ripening, (8) Filtering, (9) Degassing, (10) Spinning, (11) Drawing, (12) Washing, (13) Cutting. The various steps involved in the process of manufacturing viscose are explained below.
Figure : Process of manufacture of viscose rayon fiber |
1. Steeping:
Cellulose
pulp is immersed in 17-20% aqueous sodium hydroxide (NaOH) at a
temperature in the range of 18 to 25°C in order to swell the cellulose
fibers and to convert cellulose to alkali cellulose.
(C6H10O5)n + nNaOH ---> (C6H9O4ONa)n + nH2O
(C6H10O5)n + nNaOH ---> (C6H9O4ONa)n + nH2O
2. Pressing:
The
swollen alkali cellulose mass is pressed to a wet weight equivalent of
2.5 to 3.0 times the original pulp weight to obtain an accurate ratio of
alkali to cellulose.
3. Shredding:
The
pressed alkali cellulose is shredded mechanically to yield finely
divided, fluffy particles called "crumbs". This step provides increased
surface area of the alkali cellulose, thereby increasing its ability to
react in the steps that follow.
4. Aging:
The
alkali cellulose is aged under controlled conditions of time C) in
order to depolymerize the°and temperature (between 18 and 30 cellulose
to the desired degree of polymerization. In this step the average
molecular weight of the original pulp is reduced by a factor of two to
three. Reduction of the cellulose is done to get a viscose solution of
right viscosity and cellulose concentration.
5. Xanthation:
In
this step the aged alkali cellulose crumbs are placed in vats and are
allowed to react with carbon disulphide under controlled temperature (20
to 30°C) to form cellulose xanthate.
(C6H9O4ONa)n + nCS2 ----> (C6H9O4O-SC-SNa)n
Side reactions that occur along with the conversion of alkali cellulose to cellulose xanthate are responsible for the orange color of the xanthate crumb and also the resulting viscose solution. The orange cellulose xanthate crumb is dissolved in dilute sodium hydroxide at 15 to 20 °C under high-shear mixing conditions to obtain a viscous orange colored solution called "viscose", which is the basis for the manufacturing process. The viscose solution is then filtered (to get out the insoluble fiber material) and is deaerated.
(C6H9O4ONa)n + nCS2 ----> (C6H9O4O-SC-SNa)n
Side reactions that occur along with the conversion of alkali cellulose to cellulose xanthate are responsible for the orange color of the xanthate crumb and also the resulting viscose solution. The orange cellulose xanthate crumb is dissolved in dilute sodium hydroxide at 15 to 20 °C under high-shear mixing conditions to obtain a viscous orange colored solution called "viscose", which is the basis for the manufacturing process. The viscose solution is then filtered (to get out the insoluble fiber material) and is deaerated.
6. Dissolving:
The
yellow crumb is dissolved in aqueous caustic solution. The large
xanthate substituents on the cellulose force the chains apart, reducing
the interchain hydrogen bonds and allowing water molecules to solvate
and separate the chains, leading to solution of the otherwise insoluble
cellulose. Because of the blocks of un-xanthated cellulose in the
crystalline regions, the yellow crumb is not completely soluble at this
stage. Because the cellulose xanthate solution (or more accurately,
suspension) has a very high viscosity, it has been termed "viscose".
7. Ripening:
The
viscose is allowed to stand for a period of time to "ripen". Two
important process occur during ripening: Redistribution and loss of
xanthate groups. The reversible xanthation reaction allows some of the
xanthate groups to revert to cellulosic hydroxyls and free CS2. This
free CS2 can then escape or react with other hydroxyl on other portions
of the cellulose chain. In this way, the ordered, or crystalline,
regions are gradually broken down and more complete solution is
achieved. The CS2 that is lost reduces the solubility of the cellulose
and facilitates regeneration of the cellulose after it is formed into a
filament.
(C6H9O4O-SC-SNa)n + nH2O ---> (C6H10O5)n + nCS2 + nNaOH
(C6H9O4O-SC-SNa)n + nH2O ---> (C6H10O5)n + nCS2 + nNaOH
8. Filtering:
The
viscose is filtered to remove undissolved materials that might disrupt
the spinning process or cause defects in the rayon filament.
9. Degassing:
Bubbles
of air entrapped in the viscose must be removed prior to extrusion or
they would cause voids, or weak spots, in the fine rayon filaments.
10. Spinning - (Wet Spinning):
Production
of Viscose Rayon Filament: The viscose solution is metered through a
spinnerette into a spin bath containing sulphuric acid (necessary to
acidify the sodium cellulose xanthate), sodium sulphate (necessary to
impart a high salt content to the bath which is useful in rapid
coagulation of viscose), and zinc sulphate (exchange with sodium
xanthate to form zinc xanthate, to cross link the cellulose molecules).
Once the cellulose xanthate is neutralized and acidified, rapid
coagulation of the rayon filaments occurs which is followed by
simultaneous stretching and decomposition of cellulose xanthate to
regenerated cellulose. Stretching and decomposition are vital for
getting the desired tenacity and other properties of rayon. Slow
regeneration of cellulose and stretching of rayon will lead to greater
areas of crystallinity within the fiber, as is done with high-tenacity
rayons.
The dilute sulphuric acid decomposes the xanthate and regenerates cellulose by the process of wet spinning. The outer portion of the xanthate is decomposed in the acid bath, forming a cellulose skin on the fiber. Sodium and zinc sulphates control the rate of decomposition (of cellulose xanthate to cellulose) and fiber formation.
(C6H9O4O-SC-SNa)n + (n/2)H2SO4 --> (C6H10O5)n + nCS2 + (n/2)Na2SO4
Elongation-at-break is seen to decrease with an increase in the degree of crystallinity and orientation of rayon.
The dilute sulphuric acid decomposes the xanthate and regenerates cellulose by the process of wet spinning. The outer portion of the xanthate is decomposed in the acid bath, forming a cellulose skin on the fiber. Sodium and zinc sulphates control the rate of decomposition (of cellulose xanthate to cellulose) and fiber formation.
(C6H9O4O-SC-SNa)n + (n/2)H2SO4 --> (C6H10O5)n + nCS2 + (n/2)Na2SO4
Elongation-at-break is seen to decrease with an increase in the degree of crystallinity and orientation of rayon.
11. Drawing:
The
rayon filaments are stretched while the cellulose chains are still
relatively mobile. This causes the chains to stretch out and orient
along the fiber axis. As the chains become more parallel, interchain
hydrogen bonds form, giving the filaments the properties necessary for
use as textile fibers.
12. Washing:
The
freshly regenerated rayon contains many salts and other water soluble
impurities which need to be removed. Several different washing
techniques may be used.
13. Cutting:
If
the rayon is to be used as staple (i.e., discreet lengths of fiber),
the group of filaments (termed "tow") is passed through a rotary cutter
to provide a fiber which can be processed in much the same way as cotton
.
Major End Uses of Rayon Fiber :
1. Apparel: Accessories, blouses, dresses, jackets, lingerie, linings, millinery, slacks, sportshirts, sportswear, suits, ties, work clothes
2. Home Furnishings: Bedspreads, blankets, curtains, draperies, sheets, slipcovers, tablecloths, upholstery
3. Industrial Uses: Industrial products, medical surgical products, nonwoven products, tire cord
19 October 2012
Study on the material passage of Ring frame.
Experiment name: Study on the material passage of Ring frame.
Object:
1. To produce required count of yarn from the supplied roving by the drafting.
2. To insert sufficient amount of twist to the yarn.
3. To wind the yarn onto the bobbin.
4. To build the yarn package properly.
Main Parts Ring Frame:
1. Creel
2. Guide roller
3. Trumpet
4. Drafting rollers
5. Yarn guide
6. Lappet
7. Balloon controlling ring
8. Traveler
9. Ring
10. Spindle
Specification:
I. Name of manufacturer: Platts.
II. No of spindle: 64
III. Ring dia: 6.2 cm
IV. Lift of the bobbin: 9”
Passage diagram:
Description:
The feed material come from speed frame i.e. roving bobbin is placed on the creel. The creel which is attached to the machine is umbrella type. Then feed material is passed under the guide rollers and through the trumpet in to the drafting zone. Here some draft is inserted in to the roving. The draft system is 3 over 3 drafting system with apron. The delivery material that is delivered from the front roller is reached to the traveler over pneumatic waste collector, lappet and through balloon controlling ring. Lappet is used to control the material path and balloon controlling ring is used to control the balloon formation and spinning tension. Here roving is twisted by the movement of the traveler around the ring. The yarn is then wound on the ring cop.
Conclusion:
Our teacher and lab assistants are very much helpful to us. Their well teaching and instruction help us greatly to understand this practical. I think this practical will be very helpful in my future career.
http://textilelearner.blogspot.com/search/label/Ring%20Frame
1. To produce required count of yarn from the supplied roving by the drafting.
2. To insert sufficient amount of twist to the yarn.
3. To wind the yarn onto the bobbin.
4. To build the yarn package properly.
Main Parts Ring Frame:
1. Creel
2. Guide roller
3. Trumpet
4. Drafting rollers
5. Yarn guide
6. Lappet
7. Balloon controlling ring
8. Traveler
9. Ring
10. Spindle
Specification:
I. Name of manufacturer: Platts.
II. No of spindle: 64
III. Ring dia: 6.2 cm
IV. Lift of the bobbin: 9”
Passage diagram:
Fig: Passage Diagram of Ring frame |
The feed material come from speed frame i.e. roving bobbin is placed on the creel. The creel which is attached to the machine is umbrella type. Then feed material is passed under the guide rollers and through the trumpet in to the drafting zone. Here some draft is inserted in to the roving. The draft system is 3 over 3 drafting system with apron. The delivery material that is delivered from the front roller is reached to the traveler over pneumatic waste collector, lappet and through balloon controlling ring. Lappet is used to control the material path and balloon controlling ring is used to control the balloon formation and spinning tension. Here roving is twisted by the movement of the traveler around the ring. The yarn is then wound on the ring cop.
Conclusion:
Our teacher and lab assistants are very much helpful to us. Their well teaching and instruction help us greatly to understand this practical. I think this practical will be very helpful in my future career.
http://textilelearner.blogspot.com/search/label/Ring%20Frame
18 October 2012
Fiber Fineness Measurement by Projection Microscope
The projection microscope is the
standard method for measuring wool fibre diameter, and all other methods
have to be checked for accuracy against it. The method is also
applicable to any other fibres with a circular cross-section. The method
involves preparing a microscope slide of short lengths of fibre which
is then viewed using a microscope that projects an image of the fibres
onto a horizontal screen for ease of measurement. The apparatus is shown
diagrammatically in Fig. Techniques are followed that avoid bias and
ensure a truly random sample.
Method of Test
A suitable random and representative sample is conditioned for 24 h in a standard testing atmosphere. Using a modified Hardy microtome the fibres are cut to a suitable length (0.4mm for fibres below 27 (im) and a slide is prepared by carefully mixing the fibres into the mountant. The use of short fibres gives a length-biased sample so that proportionally more of the longer fibres will have their diameter measured. The mounting agent should be non-swelling and have a suitable refractive index (for example liquid paraffin). The mixture of fibres and mountant is spread thinly on the slide and covered with a cover glass, carefully avoiding air bubbles and finger prints.
The slide is placed on
the stage, coverglass down (microscope inverted) and fibres are selected
for measurement in the following way. The slide is traversed in a
zigzag fashion, measuring every fibre that complies with the following
requirements: 1 has more than half its length visible in the 7.5cm
circle which is drawn in the centre of the field of view; 2 is not in
contact with any other fibre at the point of measurement. The traverse
of the slide is continued until the required number of fibres
has been measured. The magnification of the microscope is adjusted to
be 50Ox so that on the scale used to measure the fibres each millimetre
represents 2 um.
For accurate tests three slides should be measured from randomly selected areas of the material and not less than 150 fibres per slide should be measured. The coefficient of variation of diameter for unblended wool lies between 20% and 28%. From this value the number of tests to give certain confidence limits has been calculated .
http://textilelearner.blogspot.com/
A suitable random and representative sample is conditioned for 24 h in a standard testing atmosphere. Using a modified Hardy microtome the fibres are cut to a suitable length (0.4mm for fibres below 27 (im) and a slide is prepared by carefully mixing the fibres into the mountant. The use of short fibres gives a length-biased sample so that proportionally more of the longer fibres will have their diameter measured. The mounting agent should be non-swelling and have a suitable refractive index (for example liquid paraffin). The mixture of fibres and mountant is spread thinly on the slide and covered with a cover glass, carefully avoiding air bubbles and finger prints.
The projection microscope |
For accurate tests three slides should be measured from randomly selected areas of the material and not less than 150 fibres per slide should be measured. The coefficient of variation of diameter for unblended wool lies between 20% and 28%. From this value the number of tests to give certain confidence limits has been calculated .
http://textilelearner.blogspot.com/
Different Color Fastness Tests
Color Fastness:
Standards of Color Fastness:
1. AATCC (American Association of Textile Chemists and Colorists) technical manual:
Describes 66 numbers of different color fastness tests.
2. SDC (Society of Dyers and Colorists):
In 1927, SDC (Europe) made fastness test committee.
3. ISO(International Organization for Standardization):
In 1947, ISO made color sub committee. ISO also grades the fastness:
For light fastness: 1~8
For other fastness: 1~5
Factors Affecting the Color Fastness Properties:
Color fastness
is one of the important factors in case of buyers demand. The
outstandingly important property of a dyed material is the fastness of
the shade of color. Color fastness refers to the resistance of color to
fade or bleed of a dyed or printed textile materials to various types of
influences e.g. water, light, rubbing, washing, perspiration
etc. to which they are normally exposed in textile manufacturing and in
daily use. We have written a lot of articles on color fastness.
Color fastness test |
1. AATCC (American Association of Textile Chemists and Colorists) technical manual:
Describes 66 numbers of different color fastness tests.
2. SDC (Society of Dyers and Colorists):
In 1927, SDC (Europe) made fastness test committee.
3. ISO(International Organization for Standardization):
In 1947, ISO made color sub committee. ISO also grades the fastness:
For light fastness: 1~8
For other fastness: 1~5
Factors Affecting the Color Fastness Properties:
- The chemical nature of the fiber. For example, cellulosic fibers dyed with reactive or vat dyes will show good fastness properties. Protein fibers dyed with acid mordant and reactive dyes will achieve good fastness properties and so on. That is to say compatibility of dye with the fiber is very important.
- The molecular structure (e.g.) of a dye molecule: If the dye molecule is larger in size, it will be tightly entrapped inside the inter-polymer chain space of a fiber. Thus the fastness will be better.
- The manner in which the dye is bonded to the fiber or the physical form present.
- The amount of dye present in the fiber i.e. depth of shade. A deep shade will be less fast than a pale or light shade.
- The presence of other chemicals in the material.
- The actual conditions prevailing during exposure.
- Color fastness to washing
- Color fastness to water
- Color fastness to rubbing/crocking
- Color fastness to perspiration
- Color fastness to light
- Color fastness to sea water
- Color fastness to chlorinated water
- Color fastness to hot pressing
13 October 2012
Yarn Clearer in Winding | Types of Yarn Clearer | Comprise Between Mechanical and Electronic Clearer
Yarn Clearer
Yarn
clearer is the device which is used to remove the following faults of
yarn in order to increase the yarn quality and weaving efficiency.
Faults of yarn are as follows
Types of Yarn Clearer
There are two types of yarn clearer
1. Mechanical Type
a. Conventional blunt type
b. Serrated blade type
2. Electronic type
a. Capacitance type
b. Photo electric type
Comprise between mechanical and electronic clearer
• Electronic clearer are more sensitive than mechanical clearers
•
In case of mechanical clearers there is abrasion between yarn
and clearer parts but in case of electronic clearers there is no such
abrasion
• Mechanical
clearers do not prevent soft slab from escaping through clearer where as
electronic type does not allow passing of any types of faults
• Mechanical type does not break the thin places and the length of the fault is not considered
•
Mechanical clearer are simple and easy to maintain while the
electronic clearers are costly and requires high standard of maintenance.
http://textilelearner.blogspot.com/search/label/Winding
http://textilelearner.blogspot.com/search/label/Winding
Carbon Fiber
Carbon Fiber:
Carbon
fiber is a high-tensile fiber or whisker made by heating rayon or
polyacrylonitrile fibers or petroleum residues to appropriate
temperatures. Fibers may be 7 to 8 microns in diameter and are more that
90% carbonized.
This fibers are the stiffest and strongest reinforcing fibers for polymer composites, the most used after glass fibers. Made of pure carbon in form of graphite, they have low density and a negative coefficient of longitudinal thermal expansion.
Carbon fibers are very expensive and can give galvanic corrosion in contact with metals. They are generally used together with epoxy, where high strength and stiffness are required, i.e. race cars, automotive and space applications, sport equipment.
Carbon fiber Weave |
This fibers are the stiffest and strongest reinforcing fibers for polymer composites, the most used after glass fibers. Made of pure carbon in form of graphite, they have low density and a negative coefficient of longitudinal thermal expansion.
Carbon fibers are very expensive and can give galvanic corrosion in contact with metals. They are generally used together with epoxy, where high strength and stiffness are required, i.e. race cars, automotive and space applications, sport equipment.
Depending on the orientation of the fiber, the carbon fiber composite can be stronger in a certain direction or equally strong in all directions. A small piece can withstand an impact of many tons and still deform minimally. The complex interwoven nature of the fiber makes it very difficult to break.
Characteristics/Properties of Carbon Fibers
Based on modulus, strength, and final heat treatment temperature, carbon fibers can be classified into the following categories:
- Physical strength, specific toughness, light weight.
- Good vibration damping, strength, and toughness.
- High dimensional stability, low coefficient of thermal expansion, and low abrasion.
- Electrical conductivity.
- Biological inertness and x-ray permeability.
- Fatigue resistance, self-lubrication, high damping.
- Electromagnetic properties.
- Chemical inertness, high corrosion resistance.
Based on modulus, strength, and final heat treatment temperature, carbon fibers can be classified into the following categories:
- Based on carbon fiber properties,
- Based on precursor fiber materials,
- Based on final heat treatment temperature,
- Ultra-high-modulus, type UHM (modulus >450Gpa)
- High-modulus, type HM (modulus between 350-450Gpa)
- Intermediate-modulus, type IM (modulus between 200-350Gpa)
- Low modulus and high-tensile, type HT (modulus < 100Gpa, tensile strength > 3.0Gpa)
- Super high-tensile, type SHT (tensile strength > 4.5Gpa)
- PAN-based carbon fibers
- Pitch-based carbon fibers
- Mesophase pitch-based carbon fibers
- Isotropic pitch-based carbon fibers
- Rayon-based carbon fibers
- Gas-phase-grown carbon fibers
- High-heat-treatment carbon fibers (HTT), where final heat treatment temperature should be above 2000°C and can be associated with high-modulus type fiber.
- Intermediate-heat-treatment carbon fibers (IHT), where final heat treatment temperature should be around or above 1500°C and can be associated with high-strength type fiber.
- Low-heat-treatment carbon fibers, where final heat treatment temperatures not greater than 1000°C. These are low modulus and low strength materials.
Application/Uses of Carbon Fiber
The two main applications of carbon fibers are in specialized technology, which includes aerospace and nuclear engineering, and in general engineering and transportation, which includes engineering components such as bearings, gears, cams, fan blades and automobile bodies. Recently, some new applications of carbon fibers have been found. Such as rehabilitation of a bridge in building and construction industry. Others include: decoration in automotive, marine, general aviation interiors, general entertainment and musical instruments and after-market transportation products. Conductivity in electronics technology provides additional new application.
The two main applications of carbon fibers are in specialized technology, which includes aerospace and nuclear engineering, and in general engineering and transportation, which includes engineering components such as bearings, gears, cams, fan blades and automobile bodies. Recently, some new applications of carbon fibers have been found. Such as rehabilitation of a bridge in building and construction industry. Others include: decoration in automotive, marine, general aviation interiors, general entertainment and musical instruments and after-market transportation products. Conductivity in electronics technology provides additional new application.
Application Carbon Fiber are given as Shortly:
- Aerospace, road and marine transport, sporting goods.
- Missiles, aircraft brakes, aerospace antenna and support structure, large telescopes, optical benches, waveguides for stable high-frequency (GHz) precision measurement frames.
- Audio equipment, loudspeakers for Hi-fi equipment, pickup arms, robot arms.
- Automobile hoods, novel tooling, casings and bases for electronic equipments, EMI and RF shielding, brushes.
- Medical applications in prostheses, surgery and x-ray equipment, implants, tendon/ligament repair.
- Textile machinery, genera engineering.
- Chemical industry; nuclear field; valves, seals, and pump components in process plants.
- Large generator retaining rings, radiological equipment.
Carbon fibre can be found in a wide range of performance vehicles including sports cars, superbikes, pedal bikes (where they are used to make frames), powerboats and it is often used in the tuning and customising industry where attractive woven panels are left unpainted to 'show off' the material.
http://textilelearner.blogspot.com/
12 October 2012
Study on ring doubling frame
Experiment Name: Study on ring doubling frame
1.Spindle speed, front roller delivery.
2.Twist, twist Constant.
Objects:
1) To combine two or more single threads into one.
2) To insert sufficient amount of twist for holding the yarns.
3) To increase strength, smoothness and luster.
4) To reduce hairiness.
5) To make sewing thread.
6) To wind a suitable bobbin.
Main parts:
1.Spindle speed, front roller delivery.
2.Twist, twist Constant.
Objects:
1) To combine two or more single threads into one.
2) To insert sufficient amount of twist for holding the yarns.
3) To increase strength, smoothness and luster.
4) To reduce hairiness.
5) To make sewing thread.
6) To wind a suitable bobbin.
Main parts:
- Creel stand and creel.
- Front roller.
- Yarn guide.
- Ring and ring rail
- Tin cylinder.
- Traveller.
- Thread weight or slip roller.
- Lappet Spindle.
Specification:
- Motor rpm = 1430
- Motor pulley diameter = 6.25²
- Machine pulley diameter = 10.25²
- Tin cylinder diameter = 10²
- Wharve diameter = 1.37²
- Cylinder carrier wheel = 24T
- TCP carrier wheel = 62T
- TCP = 63T
- Front roller diameter = 2’’
Gearing diagram of doubling frame:
Figure: gearing diagram of doubling frame. |
1) Spindle speed = 6461.59 rpm
2) Twist constant = 1235.25
3) Front roller delivery = 319.143 inch/min.
4) Existing TPI = 20
5) Production = 14.37 lb/shift/frame.
6) Required TPI = 16.266
7) Required TCP =76.25T
Conclusion:
By
this experiment we come to know about various parts and working
principle of ring doubling frame. This machine is important for
producing double yarn on sewing thread.
LEVI'S
Levi Strauss & Co. (pron.: /?li?va? 'str??s/), also known as LS&CO or simply Levi's, is a privately held American clothing company known worldwide for its Levi's brand of denim jeans. It was founded in 1853 when Levi Strauss came from Buttenheim, Bavaria, to San Francisco, California to open a west coast branch of his brothers' New York dry goods business. In 1873, Levi Strauss and tailor Jacob Davis received a U.S. patent to make the first riveted men's work pants out of denim: the first blue jeans. The company briefly experimented (in the 1970s) with a public stock listing, but remains owned and controlled by descendants and relatives of Levi Strauss's four nephews. The company's corporate headquarters is located at Levi's Plaza in San Francisco.[3]
Contents
1 Organization
2 History
2.1 1990s and later
3 Advertising
4 Marketing
5 References
6 Further reading
7 External links
Organization
Levi Strauss & Co. is a worldwide corporation organized into three geographic divisions: Levi Strauss Americas (LSA), based in the San Francisco headquarters; Levi Strauss Europe, Middle East and Africa (LSEMA), based in Brussels; and Asia Pacific Division (APD), based in Singapore. The company employs a staff of approximately 10,500 people worldwide. The core Levi's was founded in 1873 in San Francisco, specializing in riveted denim jeans and different lines of casual and street fashion.[4]
From the early 1960s through the mid-1970s, Levi Strauss experienced significant growth in its business as the more casual look of the 1960s and 1970s ushered in the "blue jeans craze" and served as a catalyst for the brand. Levi's, under the leadership of Walter Haas Jr., Peter Haas, Ed Combs, and Mel Bacharach, expanded the firm's clothing line by adding new fashions and models, including stone-washed jeans through the acquisition of Great Western Garment Co. (GWG), a Canadian clothing manufacturer, and introducing Permanent Press trousers under the Sta-prest name.
The company experienced rapid expansion of its manufacturing capacity from 16 plants to more than 63 plants in the United States from 1964 to 1974 and 25 overseas. They used of "pay for performance" manufacturing at the sewing machine operator level up.
2004 saw a sharp decline of GWG in the face of global outsourcing, so the company was closed and the Edmonton manufacturing plant shut down.[5] The Dockers brand, launched in 1986[6] which is sold largely through department store chains, helped the company grow through the mid-1990s, as denim sales began to fade. Dockers were introduced into Europe in 1993. Levi Strauss attempted to sell the Dockers division in 2004 to relieve part of the company's $2 billion outstanding debt.[7]
Launched in 2003, Levi Strauss Signature features jeanswear and casualwear.[8] In November 2007, Levi's released a mobile phone in co-operation with ModeLabs. Many of the phone's cosmetic attributes are customisable at the point of purchase.
History
Levi Strauss started the business at the 90 Sacramento Street address in San Francisco. He next moved the location to 62 Sacramento Street then 63 & 65 Sacramento Street.
Jacob Davis, a Jewish emigrant from Latvia, was a tailor who frequently purchased bolts of cloth made from hemp[citation needed] from Levi Strauss & Co.'s wholesale house. After one of Davis' customers kept purchasing cloth to reinforce torn pants, he had an idea to use copper rivets to reinforce the points of strain, such as on the pocket corners and at the base of the button fly. Davis did not have the required money to purchase a patent, so he wrote to Strauss suggesting that they go into business together. After Levi accepted Jacob's offer, on May 20, 1873, the two men received U.S. Patent 139,121 from the United States Patent and Trademark Office. The patented rivet was later incorporated into the company's jean design and advertisements. Contrary to an advertising campaign suggesting that Levi Strauss sold his first jeans to gold miners during the California Gold Rush (which peaked in 1849), the manufacturing of denim overalls only began in the 1870s. The company then created their first pair of Levis 501 Jeans in the 1890s, a style that went on to become the world's best selling item of clothing.[9]
photo of an advertising sign for Levi Strauss & Co. painted on a brick wall in Woodland, California
Levi Strauss advertising sign
Modern jeans began to appear in the 1920s, but sales were largely confined to the working people of the western United States, such as cowboys, lumberjacks, and railroad workers. Levi’s jeans apparently were first introduced to the East during the dude ranch craze of the 1930s, when vacationing Easterners returned home with tales (and usually examples) of the hard-wearing pants with rivets. Another boost came in World War II, when blue jeans were declared an essential commodity and were sold only to people engaged in defense work. From a company with fifteen salespeople, two plants, and almost no business east of the Mississippi in 1946, the organization grew in thirty years to include a sales force of more than 22,000, with 50 plants and offices in 35 countries.[10]
Between the 1950s and 1980s, Levi's jeans became popular among a wide range of youth subcultures, including greasers, mods, rockers, hippies and skinheads. Levi's popular shrink-to-fit 501s were sold in a unique sizing arrangement; the indicated size referred to the size of the jeans prior to shrinking, and the shrinkage was substantial. The company still produces these unshrunk, uniquely sized jeans, and they are still Levi's number one selling product. Although popular lore (abetted by company marketing) holds that the original design remains unaltered, this is not the case: the company's president got too close to a campfire, and the rivet at the bottom of the crotch conducted the fire's heat too well; the offending rivet, which is depicted in old advertisements, was removed.[11]
1990s and later
Levi's 506 inside
By the 1990s, the brand was facing competition from other brands and cheaper products from overseas, and began accelerating the pace of its US factory closures and its use of offshore subcontracting agreements. In 1991, Levi Strauss faced a scandal involving pants made in the Northern Mariana Islands, where some 3% of Levi's jeans sold annually with the Made in the USA label were shown to have been made by Chinese laborers under what the United States Department of Labor called "slavelike" conditions. Today, most Levi's jeans are made outside the US, though a few of the higher end, more expensive styles are still made in the U.S.
Cited for sub-minimum wages, seven-day work weeks with 12-hour shifts, poor living conditions and other indignities, Tan Holdings Corporation, Levi Strauss' Marianas subcontractor, paid what were then the largest fines in U.S. labor history, distributing more than $9 million in restitution to some 1,200 employees.[12][13][14] Levi Strauss claimed no knowledge of the offenses, then severed ties to the Tan family and instituted labor reforms and inspection practices in its offshore facilities.
The activist group Fuerza Unida (United Force) was formed following the January 1990 closure of a plant in San Antonio, Texas, in which 1,150 seamstresses, some of whom had worked for Levi Strauss for decades, saw their jobs exported to Costa Rica.[15] During the mid- and late-1990s, Fuerza Unida picketed the Levi Strauss headquarters in San Francisco and staged hunger strikes and sit-ins in protest of the company's labor policies.[16][17][18]
The company took on multi-billion dollar debt in February 1996 to help finance a series of leveraged stock buyouts among family members. Shares in Levi Strauss stock are not publicly traded; the firm is today owned almost entirely by indirect descendants and relatives of Levi Strauss, whose four nephews inherited the San Francisco dry goods firm after their uncle's death in 1902.[19] The corporation's bonds are traded publicly, as are shares of the company's Japanese affiliate, Levi Strauss Japan K.K.
In June 1996, the company offered to pay its workers an unusual dividend of up to $750 million in six years' time, having halted an employee stock plan at the time of the internal family buyout. However, the company failed to make cash flow targets, and no worker dividends were paid.[20] In 2002, Levi Strauss began a close business collaboration with Walmart, producing a special line of "Signature" jeans and other clothes for exclusive sale in Walmart stores until 2006.[21] Levi Strauss Signature jeans can now be purchased at several stores in the US, Canada, India, Pakistan and Japan.
According to the New York Times, Levi Strauss leads the apparel industry in trademark infringement cases, filing nearly 100 lawsuits against competitors since 2001. Most cases center on the alleged imitation of Levi's back pocket double arc stitching pattern (U.S. trademark #1,139,254), which Levi filed for trademark in 1978.[22] Levi's has successfully sued Guess?, Polo Ralph Lauren, Esprit Holdings, Zegna, Zumiez and Lucky Brand Jeans, among other companies.[23]
By 2007, Levi Strauss was again said to be profitable after declining sales in nine of the previous ten years.[24] Its total annual sales, of just over $4 billion, were $3 billion less than during its peak performance in the mid-1990s.[25] After more than two decades of family ownership, rumors of a possible public stock offering were floated in the media in July 2007.[26] In 2009, it was noted in the media for selling Jeans on interest-free credit, due to the global recession.[27][28] In 2010, the company partnered with Filson, an outdoor goods manufacturer in Seattle, to produce a high-end line of jackets and workwear.[29]
Advertising
Levi's marketing style has often made use of old recordings of popular music in television commercials, ranging from traditional pop to punk rock. Notable examples include Ben E King ("Stand By Me"), Percy Sledge ("When a Man Loves a Woman"), Eddie Cochran ("C'mon Everybody!"), Marc Bolan ("20th Century Boy"), Screamin' Jay Hawkins ("Heart Attack & Vine"), The Clash ("Should I Stay or Should I Go?"), as well as lesser known material, such as "Falling Elevators" and "The City Sleeps" by MC 900 Ft. Jesus and "Flat Beat" and "Monday Massacre" by Mr. Oizo.
Many of these songs were re-released by their record labels as a tie-in with the ad campaigns, resulting in increased popularity and sales of the recordings and the creation of iconic visual associations with the music, such as the use of a topless male model wearing jeans underwater in the 1986 adverts featuring "Wonderful World" and "Mad about the Boy" and the puppet, Flat Eric, in the ads featuring music by Mr. Oizo.
Songs popularized or re-popularized by Levi's commercials Song title Artist Original recording Year of Levi's advert UK chart US chart
"Wonderful World" Sam Cooke 1960 1986 2
"I Heard It Through the Grapevine" Marvin Gaye 1968 1986 8
"Stand by Me" Ben E. King 1961 1987 1
"When a Man Loves a Woman" Percy Sledge 1966 1987 2
"C'mon Everybody" Eddie Cochran 1958 1988 14
"The Joker" Steve Miller Band 1976 1990 1
"Should I Stay or Should I Go" The Clash 1982 1991 1
"20th Century Boy" T. Rex 1973 1991 13
"Mad about the Boy" Dinah Washington 1952 1992
"Piece of My Heart" Erma Franklin 1967 1992 9
"Inside" Stiltskin 1994 1994 1
"Turn On, Tune In, Cop Out" Freak Power 1993 1995 3
"Boombastic" Shaggy 1995 1995 1
"Spaceman" Babylon Zoo 1995 1996 1
"Underwater Love" Smoke City 1997 1997 4
"A Nanny in Manhattan" Lilys 1996 1998 16
"Whine and Grine" Prince Buster 1967 1998 21
"Flat Beat" Mr. Oizo 1999 1999 1
"Background Blues" Otto Sieben 1999 1999
"Dirge" Death in vegas 2000 2000
"Before You Leave" Pepe Deluxé 2001 2001 20
"Crazy Beat" Blur 2003 2003 18
Marketing
During the launch of Levi's Curve ID jeans, Levi launched a 5 week integrated marketing campaign that touched on experiential marketing, social media and outdoor events in shopping malls and city centers throughout the UK.
Brand ambassadors for Levi's encouraged women to find their perfect curve jeans shape in-store for the chance to win a £1000 Levi's shopping spree. The idea behind the campaign was to drive long-term engagement with the brand.[30]
Contents
1 Organization
2 History
2.1 1990s and later
3 Advertising
4 Marketing
5 References
6 Further reading
7 External links
Organization
Levi Strauss & Co. is a worldwide corporation organized into three geographic divisions: Levi Strauss Americas (LSA), based in the San Francisco headquarters; Levi Strauss Europe, Middle East and Africa (LSEMA), based in Brussels; and Asia Pacific Division (APD), based in Singapore. The company employs a staff of approximately 10,500 people worldwide. The core Levi's was founded in 1873 in San Francisco, specializing in riveted denim jeans and different lines of casual and street fashion.[4]
From the early 1960s through the mid-1970s, Levi Strauss experienced significant growth in its business as the more casual look of the 1960s and 1970s ushered in the "blue jeans craze" and served as a catalyst for the brand. Levi's, under the leadership of Walter Haas Jr., Peter Haas, Ed Combs, and Mel Bacharach, expanded the firm's clothing line by adding new fashions and models, including stone-washed jeans through the acquisition of Great Western Garment Co. (GWG), a Canadian clothing manufacturer, and introducing Permanent Press trousers under the Sta-prest name.
The company experienced rapid expansion of its manufacturing capacity from 16 plants to more than 63 plants in the United States from 1964 to 1974 and 25 overseas. They used of "pay for performance" manufacturing at the sewing machine operator level up.
2004 saw a sharp decline of GWG in the face of global outsourcing, so the company was closed and the Edmonton manufacturing plant shut down.[5] The Dockers brand, launched in 1986[6] which is sold largely through department store chains, helped the company grow through the mid-1990s, as denim sales began to fade. Dockers were introduced into Europe in 1993. Levi Strauss attempted to sell the Dockers division in 2004 to relieve part of the company's $2 billion outstanding debt.[7]
Launched in 2003, Levi Strauss Signature features jeanswear and casualwear.[8] In November 2007, Levi's released a mobile phone in co-operation with ModeLabs. Many of the phone's cosmetic attributes are customisable at the point of purchase.
History
Levi Strauss started the business at the 90 Sacramento Street address in San Francisco. He next moved the location to 62 Sacramento Street then 63 & 65 Sacramento Street.
Jacob Davis, a Jewish emigrant from Latvia, was a tailor who frequently purchased bolts of cloth made from hemp[citation needed] from Levi Strauss & Co.'s wholesale house. After one of Davis' customers kept purchasing cloth to reinforce torn pants, he had an idea to use copper rivets to reinforce the points of strain, such as on the pocket corners and at the base of the button fly. Davis did not have the required money to purchase a patent, so he wrote to Strauss suggesting that they go into business together. After Levi accepted Jacob's offer, on May 20, 1873, the two men received U.S. Patent 139,121 from the United States Patent and Trademark Office. The patented rivet was later incorporated into the company's jean design and advertisements. Contrary to an advertising campaign suggesting that Levi Strauss sold his first jeans to gold miners during the California Gold Rush (which peaked in 1849), the manufacturing of denim overalls only began in the 1870s. The company then created their first pair of Levis 501 Jeans in the 1890s, a style that went on to become the world's best selling item of clothing.[9]
photo of an advertising sign for Levi Strauss & Co. painted on a brick wall in Woodland, California
Levi Strauss advertising sign
Modern jeans began to appear in the 1920s, but sales were largely confined to the working people of the western United States, such as cowboys, lumberjacks, and railroad workers. Levi’s jeans apparently were first introduced to the East during the dude ranch craze of the 1930s, when vacationing Easterners returned home with tales (and usually examples) of the hard-wearing pants with rivets. Another boost came in World War II, when blue jeans were declared an essential commodity and were sold only to people engaged in defense work. From a company with fifteen salespeople, two plants, and almost no business east of the Mississippi in 1946, the organization grew in thirty years to include a sales force of more than 22,000, with 50 plants and offices in 35 countries.[10]
Between the 1950s and 1980s, Levi's jeans became popular among a wide range of youth subcultures, including greasers, mods, rockers, hippies and skinheads. Levi's popular shrink-to-fit 501s were sold in a unique sizing arrangement; the indicated size referred to the size of the jeans prior to shrinking, and the shrinkage was substantial. The company still produces these unshrunk, uniquely sized jeans, and they are still Levi's number one selling product. Although popular lore (abetted by company marketing) holds that the original design remains unaltered, this is not the case: the company's president got too close to a campfire, and the rivet at the bottom of the crotch conducted the fire's heat too well; the offending rivet, which is depicted in old advertisements, was removed.[11]
1990s and later
Levi's 506 inside
By the 1990s, the brand was facing competition from other brands and cheaper products from overseas, and began accelerating the pace of its US factory closures and its use of offshore subcontracting agreements. In 1991, Levi Strauss faced a scandal involving pants made in the Northern Mariana Islands, where some 3% of Levi's jeans sold annually with the Made in the USA label were shown to have been made by Chinese laborers under what the United States Department of Labor called "slavelike" conditions. Today, most Levi's jeans are made outside the US, though a few of the higher end, more expensive styles are still made in the U.S.
Cited for sub-minimum wages, seven-day work weeks with 12-hour shifts, poor living conditions and other indignities, Tan Holdings Corporation, Levi Strauss' Marianas subcontractor, paid what were then the largest fines in U.S. labor history, distributing more than $9 million in restitution to some 1,200 employees.[12][13][14] Levi Strauss claimed no knowledge of the offenses, then severed ties to the Tan family and instituted labor reforms and inspection practices in its offshore facilities.
The activist group Fuerza Unida (United Force) was formed following the January 1990 closure of a plant in San Antonio, Texas, in which 1,150 seamstresses, some of whom had worked for Levi Strauss for decades, saw their jobs exported to Costa Rica.[15] During the mid- and late-1990s, Fuerza Unida picketed the Levi Strauss headquarters in San Francisco and staged hunger strikes and sit-ins in protest of the company's labor policies.[16][17][18]
The company took on multi-billion dollar debt in February 1996 to help finance a series of leveraged stock buyouts among family members. Shares in Levi Strauss stock are not publicly traded; the firm is today owned almost entirely by indirect descendants and relatives of Levi Strauss, whose four nephews inherited the San Francisco dry goods firm after their uncle's death in 1902.[19] The corporation's bonds are traded publicly, as are shares of the company's Japanese affiliate, Levi Strauss Japan K.K.
In June 1996, the company offered to pay its workers an unusual dividend of up to $750 million in six years' time, having halted an employee stock plan at the time of the internal family buyout. However, the company failed to make cash flow targets, and no worker dividends were paid.[20] In 2002, Levi Strauss began a close business collaboration with Walmart, producing a special line of "Signature" jeans and other clothes for exclusive sale in Walmart stores until 2006.[21] Levi Strauss Signature jeans can now be purchased at several stores in the US, Canada, India, Pakistan and Japan.
According to the New York Times, Levi Strauss leads the apparel industry in trademark infringement cases, filing nearly 100 lawsuits against competitors since 2001. Most cases center on the alleged imitation of Levi's back pocket double arc stitching pattern (U.S. trademark #1,139,254), which Levi filed for trademark in 1978.[22] Levi's has successfully sued Guess?, Polo Ralph Lauren, Esprit Holdings, Zegna, Zumiez and Lucky Brand Jeans, among other companies.[23]
By 2007, Levi Strauss was again said to be profitable after declining sales in nine of the previous ten years.[24] Its total annual sales, of just over $4 billion, were $3 billion less than during its peak performance in the mid-1990s.[25] After more than two decades of family ownership, rumors of a possible public stock offering were floated in the media in July 2007.[26] In 2009, it was noted in the media for selling Jeans on interest-free credit, due to the global recession.[27][28] In 2010, the company partnered with Filson, an outdoor goods manufacturer in Seattle, to produce a high-end line of jackets and workwear.[29]
Advertising
Levi's marketing style has often made use of old recordings of popular music in television commercials, ranging from traditional pop to punk rock. Notable examples include Ben E King ("Stand By Me"), Percy Sledge ("When a Man Loves a Woman"), Eddie Cochran ("C'mon Everybody!"), Marc Bolan ("20th Century Boy"), Screamin' Jay Hawkins ("Heart Attack & Vine"), The Clash ("Should I Stay or Should I Go?"), as well as lesser known material, such as "Falling Elevators" and "The City Sleeps" by MC 900 Ft. Jesus and "Flat Beat" and "Monday Massacre" by Mr. Oizo.
Many of these songs were re-released by their record labels as a tie-in with the ad campaigns, resulting in increased popularity and sales of the recordings and the creation of iconic visual associations with the music, such as the use of a topless male model wearing jeans underwater in the 1986 adverts featuring "Wonderful World" and "Mad about the Boy" and the puppet, Flat Eric, in the ads featuring music by Mr. Oizo.
Songs popularized or re-popularized by Levi's commercials Song title Artist Original recording Year of Levi's advert UK chart US chart
"Wonderful World" Sam Cooke 1960 1986 2
"I Heard It Through the Grapevine" Marvin Gaye 1968 1986 8
"Stand by Me" Ben E. King 1961 1987 1
"When a Man Loves a Woman" Percy Sledge 1966 1987 2
"C'mon Everybody" Eddie Cochran 1958 1988 14
"The Joker" Steve Miller Band 1976 1990 1
"Should I Stay or Should I Go" The Clash 1982 1991 1
"20th Century Boy" T. Rex 1973 1991 13
"Mad about the Boy" Dinah Washington 1952 1992
"Piece of My Heart" Erma Franklin 1967 1992 9
"Inside" Stiltskin 1994 1994 1
"Turn On, Tune In, Cop Out" Freak Power 1993 1995 3
"Boombastic" Shaggy 1995 1995 1
"Spaceman" Babylon Zoo 1995 1996 1
"Underwater Love" Smoke City 1997 1997 4
"A Nanny in Manhattan" Lilys 1996 1998 16
"Whine and Grine" Prince Buster 1967 1998 21
"Flat Beat" Mr. Oizo 1999 1999 1
"Background Blues" Otto Sieben 1999 1999
"Dirge" Death in vegas 2000 2000
"Before You Leave" Pepe Deluxé 2001 2001 20
"Crazy Beat" Blur 2003 2003 18
Marketing
During the launch of Levi's Curve ID jeans, Levi launched a 5 week integrated marketing campaign that touched on experiential marketing, social media and outdoor events in shopping malls and city centers throughout the UK.
Brand ambassadors for Levi's encouraged women to find their perfect curve jeans shape in-store for the chance to win a £1000 Levi's shopping spree. The idea behind the campaign was to drive long-term engagement with the brand.[30]
Card Clothing | Flexible Card Clothing | Semi-rigid Card Clothing | Advantage of Flexible Card Clothing | Disadvantage of Flexible Card Clothing | Advantage of Semi-rigid Card Clothing
Card Clothing:
The inclined wire set in base material which are covered around the surface of taker in. Cylinder, doffer and flat in the carding machine is called card clothing.
ii. Wire point flexible so fibre damage is less.
iii. Fibre, yarn can produced.
The inclined wire set in base material which are covered around the surface of taker in. Cylinder, doffer and flat in the carding machine is called card clothing.
- Taker in;
- Cylinder;
- Doffer;
- Flat.
Flexible Clothing:
These clothing have hook of round or oval wire which are set into elastic, multiple – ply cloth backings. Each hook is bent to a U-shape and is formed with a knee that flexes under bending load and return its original position when the load is removed.
These clothing have hook of round or oval wire which are set into elastic, multiple – ply cloth backings. Each hook is bent to a U-shape and is formed with a knee that flexes under bending load and return its original position when the load is removed.
Advantage of Flexible Card Clothing:
i. Point density being high, carding action is good.ii. Wire point flexible so fibre damage is less.
iii. Fibre, yarn can produced.
Disadvantage of Flexible Card Clothing:
i. Carding angle cannot be choosen.
ii. Grinding action should be regular.
iii. Foundation material are required.
Semi Rigid Clothing:
In case semi-rigid clothing the sharp pointed wire are set in more rigid backings. This backing is made of multiple plies and the no of plies are more in number than that in flexible clothing. The wires have no knee & are deeply set inside the plies. The wire are much less capable yielding than flexible clothing.
In case semi-rigid clothing the sharp pointed wire are set in more rigid backings. This backing is made of multiple plies and the no of plies are more in number than that in flexible clothing. The wires have no knee & are deeply set inside the plies. The wire are much less capable yielding than flexible clothing.
Use:
Semi-rigid clothing is found only in the flats.
Semi-rigid clothing is found only in the flats.
Advantage of Semi-rigid Card Clothing:
- No need of sharpening after short use.
- No dirt and dust in stored.
- No need to of frequent grinding.
- Grinding: It is process of retaining the original position of cloth wire after using for a long time.
11 October 2012
Add-on Materials on Sizing Ingredients | Binders | Lubricants
Add-on materials:
In addition to a film former polymer various additives are added to a
size mix. Additives may be included in the size mix depending on the
particular weaving
machine requirements or if a particular type finishing is required
after the fabric is woven. A huge variety of additives are used. Most
common of them are as follows:
Binders:
Binders:
There
are a number of polymeric materials that can be used in sizing as
binder materials. Binders are true film formers but are generally not
used alone for sizing; some sizes are useful as both a primary size and
as a binder. Binders are typically used to increase weave ability by
promoting the adhesion of the primary film forming size to a specific
fiber substrate while reducing the cohesion between sized yarns. By
judicious selection of a binder, additional sizing advantages can be
realized.Most commonly there are three types of binders used;
- Acrylics:
- Pearl corn starch
- Modified starch
- Starch derivatives.
- Polyvinyl alcohol.
- CMC.
- Polyester resin binders.
- Vinyl acetate resins.
Lubricant is almost always added to increase abrasion resistance of the yarn which is especially useful for rapiers and projectile machines.
Lubricants with anti-sticking agents (lecithin) also prevent sticking
of PVA to dry cans. Emulsifiers are added to the wax to improve
desizablity. Paraffin or marine glycerides are added to harden the wax
and better lubricate the yarns; however, if not removed properly during
desizing some lubricants can cause problems in later operations.
Various other additives include humectants, anti-static and anti-foam agents, removable tints (for warp or style identification), preservatives (if the warp or the fabric is to be stored for long periods of time), penetrating agents (to allow the size to penetrate into tightly constructed styles), weighting agents (to make cloth heavier), anti-mildew.
Softeners such as lubricants, soaps and waxes are used to make the yarn sufficiently extensible, they also prevent cracking of size during weaving.
Humectants, such as urea, sugar and glycerin are used to retain moisture in the size product. Moisture makes the size film more flexible and less brittle.
http://textilelearner.blogspot.com/search/label/Sizing
Various other additives include humectants, anti-static and anti-foam agents, removable tints (for warp or style identification), preservatives (if the warp or the fabric is to be stored for long periods of time), penetrating agents (to allow the size to penetrate into tightly constructed styles), weighting agents (to make cloth heavier), anti-mildew.
Softeners such as lubricants, soaps and waxes are used to make the yarn sufficiently extensible, they also prevent cracking of size during weaving.
Humectants, such as urea, sugar and glycerin are used to retain moisture in the size product. Moisture makes the size film more flexible and less brittle.
http://textilelearner.blogspot.com/search/label/Sizing
10 October 2012
Different Parts of a Loom
Different Parts of a Loom
Different Parts of a Loom |
Short Description of Loom is Given Below:
Heald/Heddle: Wire or cords with eyelets that hold warp yarns in a place.
Function:
1. It helps in shed formation.
2. It is useful in identifying broken ends.
3. It determines the order or sequence of the warp threads.
4. It determines the warp thread density in a fabric.
Heald shaft/Harness: A wood or metal frame that holds the headl/heddles in position in the loom during weaving. It is usually more than one.
Shuttle: This is a vehicle for weft & passes through the divided warp for the interlacement of the warp & weft.
Shuttle box: Compartment of each end of the sley of a shuttle loom used to retain the shuttle between picking motion.
Picker: It is a piece of leather or other metal placed in grooves or on a spindle inside a shuttle box.
Beams:
A cylindrical body with end flanges on which a multiple of warp ends is
wound in such way to permit the removal of these yarns as a warp sheet.
Front rest:
It is a fixed roller placed in front of the loom above the cloth beam
& act as a guide for the cloth to wind on to the cloth beam.
Lease rods:
The division of warp yarn into one & one, two & two, & so
on is termed as lease. The two rods passed between the two successive
divisions of warp yarns are called lease rods.
Slay: It is the portion of loom that carries the reed and oscillates between the harness & the fell of the cloth.
Reed: A comb like wire or device used to separate yarns on a loom & to beat up the filling during weaving.
Treadle: The treadle is a paddle or lever under a loom with which a thread is connected by means of cords.
Temple: Roller device on a loom that hold the cloth at a proper width to prevent it from being drawn in too much by the filling.
Textile Wastages | Wastages in Ring Spinning | List of Wastages in Combing/Simplex/Ring Frame
Wastage
The
action or process of losing or destroying something by using it
carelessly or extravagantly. Waste includes all items that people no
longer have any use for, which they either intend to get rid of or have
already discarded.
In practical,
Input – Output = Wastage
List of Wastage in Combing:
Wastages in Ring Frame:
In practical,
Input – Output = Wastage
List of Wastage in Combing:
- Noil: As per desired & quality of the end product to be produced.
- Minilap Wastage: 0.25%
- Sliver Wastage : 0.25%
- Roller Wastage : 0.25%
- Fly Dust: 0.10%
- Sweeping: 0.20%
- Sliver
- Roller Waste/Bonda
- Pneumaphil Waste
- Roving Waste
- Sweeping Waste
- Clearer waste
- Invisible Waste
Wastages in Ring Frame:
- Pnemaphil: 0.20-0.30%
- Bonda: 0.20-0.30%
- Roving waste: 0.10-0.20%
- Thread waste: 0.10-below
- Fly dust: 0.20%
- Sweeping waste: 0.20%
Concept of Wastage:
- Wastage Control(Previous Concept) = Wastage Production+Wastage Reduction
- Wastage Management (Present concept) = Wastage Production+Wastage Utilization
- Raw materials selection
- Spindle speed
- Setting(Rollers, R/T, Traveller cleaner etc)
- Twist of yarn
- Machinery condition
- RH% and Temperature
- Proper material handling
- Adequate supervision
Chemical Comosition of Jute fibres
A bast fiber used for sacking, burlap,
and twine as a backing material for tufted carpets. Jute is one of the
most affordable natural fibres and is second only to cotton in amount
produced and variety of uses of vegetable fibres. Jute fibres
are composed primarily of the plant materials cellulose (major
component of plant fibre) and lignin (major components of wood fibre).
Chemical Composition of Jute Fiber
- Cellulose → 65.2%
- Hemi-cellulose → 22.2%
- Lignin → 12.5%
- Water Soluble matter → 1.5%
- Fat and Wax → 0.6%
Defects in Jute
Rooty Jute: in these jute the lower parts of jute fires contain barks.
Specky jute: this defects occur because of insufficient washing which causes the outer barks to adhere in some places
Croppy Jute: this is a defect where the top end of the fibre become rough and hard. It is usually caused by careless steeping.
Knotty jute: the jute fibres contain knots in places and it is caused by insect bite or punctures.
Dezed or Dead fibres: due to over retting in moist condition, the fibre becomes dull, lose strength and becomes inferior for spinning.
Runners: this is a defect where long and hard barky ribbon of fibres remains in jute fibre.
Hunka: defects caused by non-removal of dried up base and hard bark from the fibres.
Mossy jute: fibres from short plants that cannot be properly stripped and cleaned contain broken piece of jute sticks etc.
Flabby or Fluffy jute: due to careless stripping, fibre loses firmness and becomes flabby and hairy
Heart damage: These defects
occur when jute fibre contains excess moisture when baled. The centre of
the bale becomes badly tendered and in some cases fibres are reduced to
powder.
http://textilelearner.blogspot.com/
http://textilelearner.blogspot.com/
8 October 2012
Slasher Sizing Machine | Main Parts of Slasher Sizing Machine
Slasher Sizing Machine:
This is the most used sizing process. About all types of yarns can be sized by slazer sizing process. In this process the warp is passed through a size liquor bath then through a separating unit and cooling unit.
The Slasher Sizing Machine consists of the following seven units:
The Slasher Sizing Machine consists of the following seven units:
- Back beam unit
- Sizing unit
- Drying unit
- Cooling unit
- Dividing unit/Separating unit
- Measuring and marking unit
- Beaming unit
Slasher Sizing Machine |
Main Parts of Slasher Sizing Machine:
B = guide bar
C = Tension roller
E = Emersion roller
F = sizing roller
G = squeeze roller
H = Drying cylinder
I = cooling fan
J = guide bar
K, L = lease rods
M = coloring bowl
N = wraith
O = measuring roller
P = tension roller
Q = Nipper roller
R = warp beam
S = Pressure roller
U = reserve box
V = marking roller
http://textilelearner.blogspot.com/search/label/Sizing
C = Tension roller
E = Emersion roller
F = sizing roller
G = squeeze roller
H = Drying cylinder
I = cooling fan
J = guide bar
K, L = lease rods
M = coloring bowl
N = wraith
O = measuring roller
P = tension roller
Q = Nipper roller
R = warp beam
S = Pressure roller
U = reserve box
V = marking roller
http://textilelearner.blogspot.com/search/label/Sizing
6 October 2012
Principle of Negative Tappet Shedding Mechanism
Principle
The heald shafts have heald eyes T and U through which
the war p threads pass X is the war p sheet and Y is the cloth. The odd
ends are passed through one heald shaft while the even ends are passed
through the other heald shaft.
Working
When the bottom shaft is rotated in the clockwise direction as shown in the figure, the tappets are also rotated. The tappet will depress the anti-friction bowl and the treadle. Being fulcrumed at one end, the front portion of the treadle moves down. This action is transferred to the lamb rod, the heald shaft and the leather strap. So one heald shaft is lowered and the threads connected to this heald shaft are lowered and form the bottom layer of the shed.
The leather straps attached to the reversing rollers are connected in opposite directions, i.e. when leather strap is pulled down, it is unwound from its roller. The shaft therefore rotates in the clockwise direction and the other leather strap is wound on to its roller. The heald shaft is raised and therefore the lamb rod and treadle lever are also raised. The threads connected to the heald shaft are also raised and form the top layer of the shed.
For the next shed, the other tappet works with the other set of bowl, treadle, lamb rod, heald shaft, strap and roller and the other heald shaft is lowered. The first heald shaft is raised by the top reversing rollers, and the positions of the healds shafts are thus interchanged. Thus, for one rotation of the bottom shaft, two sheds are formed.
In this type of tappet shedding therefore, one tappet depresses the concerned treadle and the corresponding heald shaft is lowered. But the other heald shaft is raised by means of the top reversing rollers. So this type of shedding mechanism is known as “negative tappet shedding mechanism”
Timings and settings
1. Turn the crank to the top centre position.
2. Fix the anti-friction bowls to the treadle levers; they should move freely in the slots.
3. Fix the treadle levers with a bracket to the back rail of the loom.
4. Set the grid and grid bracket to the front rail of the loom in the slots of the grid.
5. Make sure that the tappet with the lower throw is fixed to the bottom shaft at the starting handle side.
6. Fix the top reversing rollers to the top reversing roller shaft to be equidistant from the ends and at the same time ensure that the connecting screws of the rollers are symmetrical about the central axis of the shaft when the heald shafts are at the same level. The roller of smaller diameter is always connected to front heald shaft.
7. The heald shafts are connected to the top reversing rollers by means of cords and leather straps. The leather straps are connected to the rollers, such that when one of them winds on its roller the other strap unwinds from its roller and vice versa.
8. Lamb rods are connected to the heald shafts by cords.
9. Adjust the tappets on the bottom shaft and make sure of the following points :
i. The tappet with a bigger throw should be connected to the back heald shaft.
ii. The bowls should have perfect contact with the tappet surfaces.
iii. The treadles should be at the same level and parallel to each other at the top centre position.
iv. Heald shafts : The hook of the lamb rod of the front heald shaft should be connected to the first notch of the treadle lever while that of the back heald shaft should be connected to the third notch. If the depth of shed is altered, the connections of the hooks to the treadle levers can be changed.
Points to be observed
1. Turn the crank shaft through two revolutions and make sure that the bowls are always in contact with the tappets.
2. The heald shafts should not touch the side frames or the sley.
3. Turn the crank shaft to the bottom centre and check the size of shed. The bottom line of warp sheet or the heald eyes of the lowered heald shaft should have a clearance of 1 mm from the race board and the top.
A
tappet is given a rotary motion so that it depresses a follower and a
lever, known respectively as the anti-friction bowl and the treadle
arrangement, by means of which the heald shaft is operated.
Construction
Figure 2 shows a negative tappet shedding mechanism. A pair of tappets A and B are fixed to the bottom shaft C at 180 degrees to each other. Two treadle levers D and E are connected to the loom back-rail by a bracket F.
The bracket acts as a fulcrum for the levers. The two treadles have teeth to carry the lamb rods G and H respectively. Two heald shafts J and K are connected to the lamb rods. A top reversing roller shaft Q carries two rollers of different diameters. The roller of small diameter N is connected to a leather strap L to which the front heald shaft J is connected. The roller P of large diameter is connected to a leather strap M to which the back heald shaft K is connected. The tappets A and B touch the anti-friction bowls or followers R and S respectively, which are fixed to the treadle levers.
Construction
Figure 2 shows a negative tappet shedding mechanism. A pair of tappets A and B are fixed to the bottom shaft C at 180 degrees to each other. Two treadle levers D and E are connected to the loom back-rail by a bracket F.
The bracket acts as a fulcrum for the levers. The two treadles have teeth to carry the lamb rods G and H respectively. Two heald shafts J and K are connected to the lamb rods. A top reversing roller shaft Q carries two rollers of different diameters. The roller of small diameter N is connected to a leather strap L to which the front heald shaft J is connected. The roller P of large diameter is connected to a leather strap M to which the back heald shaft K is connected. The tappets A and B touch the anti-friction bowls or followers R and S respectively, which are fixed to the treadle levers.
Figure 2: Negative tappet shedding mechanism |
Working
When the bottom shaft is rotated in the clockwise direction as shown in the figure, the tappets are also rotated. The tappet will depress the anti-friction bowl and the treadle. Being fulcrumed at one end, the front portion of the treadle moves down. This action is transferred to the lamb rod, the heald shaft and the leather strap. So one heald shaft is lowered and the threads connected to this heald shaft are lowered and form the bottom layer of the shed.
The leather straps attached to the reversing rollers are connected in opposite directions, i.e. when leather strap is pulled down, it is unwound from its roller. The shaft therefore rotates in the clockwise direction and the other leather strap is wound on to its roller. The heald shaft is raised and therefore the lamb rod and treadle lever are also raised. The threads connected to the heald shaft are also raised and form the top layer of the shed.
For the next shed, the other tappet works with the other set of bowl, treadle, lamb rod, heald shaft, strap and roller and the other heald shaft is lowered. The first heald shaft is raised by the top reversing rollers, and the positions of the healds shafts are thus interchanged. Thus, for one rotation of the bottom shaft, two sheds are formed.
In this type of tappet shedding therefore, one tappet depresses the concerned treadle and the corresponding heald shaft is lowered. But the other heald shaft is raised by means of the top reversing rollers. So this type of shedding mechanism is known as “negative tappet shedding mechanism”
Timings and settings
1. Turn the crank to the top centre position.
2. Fix the anti-friction bowls to the treadle levers; they should move freely in the slots.
3. Fix the treadle levers with a bracket to the back rail of the loom.
4. Set the grid and grid bracket to the front rail of the loom in the slots of the grid.
5. Make sure that the tappet with the lower throw is fixed to the bottom shaft at the starting handle side.
6. Fix the top reversing rollers to the top reversing roller shaft to be equidistant from the ends and at the same time ensure that the connecting screws of the rollers are symmetrical about the central axis of the shaft when the heald shafts are at the same level. The roller of smaller diameter is always connected to front heald shaft.
7. The heald shafts are connected to the top reversing rollers by means of cords and leather straps. The leather straps are connected to the rollers, such that when one of them winds on its roller the other strap unwinds from its roller and vice versa.
8. Lamb rods are connected to the heald shafts by cords.
9. Adjust the tappets on the bottom shaft and make sure of the following points :
i. The tappet with a bigger throw should be connected to the back heald shaft.
ii. The bowls should have perfect contact with the tappet surfaces.
iii. The treadles should be at the same level and parallel to each other at the top centre position.
iv. Heald shafts : The hook of the lamb rod of the front heald shaft should be connected to the first notch of the treadle lever while that of the back heald shaft should be connected to the third notch. If the depth of shed is altered, the connections of the hooks to the treadle levers can be changed.
Points to be observed
1. Turn the crank shaft through two revolutions and make sure that the bowls are always in contact with the tappets.
2. The heald shafts should not touch the side frames or the sley.
3. Turn the crank shaft to the bottom centre and check the size of shed. The bottom line of warp sheet or the heald eyes of the lowered heald shaft should have a clearance of 1 mm from the race board and the top.
Subscribe to:
Posts
(Atom)